Photographer Translates His Nightmares Into Surreal, Haunting Photographs
by 19-year-old photographer Nicolas Bruno
I am in LOVE with these.
For What’s it’s WorthWhether they are active or long dormant, mines speak of a combination of sacrifice and gain. Their features are crude, unsightly scars on the landscape – unlikely feats of hard labour and specialised engineering, constructed to extract value from the earth but also exacting a price.
These images combine photography and computer generated elements in an effort to visualise the output of a mine. The CGI objects represent a scale model of the materials removed from the mine, a solid mass occupying a scene which shows the ground from which it was extracted. By doing so, the intention is to create a kind of visualisation of the merits and shortfalls of mining in South Africa, an industry that has shaped the history and economy of the country so radically.
This is the first in a broader series of images, dealing with the extraction of precious metals and stones, possibly coal as well. For now, however, the project begins with the first mining operations in South Africa, removing copper from the arid Namaqualand region.
The country’s first ever commercial mine, the Blue Mine in Springbok, began operating in 1852. More mines opened soon after as copper deposits were discovered in the surrounding areas. This, in turn, boosted the development of small towns in a relatively remote area of the country, as workers settled nearby. By 2007, however, most of these mines had run their course and production had stopped almost completely. This presents an uncertain future for the towns and people of the region.
The artwork of Valerie Hegarty born 1967 in Burlington, Vermont, USA almost seems to hover between two worlds: those of art and real life. Much of Hegarty’s work appears to begin with a classically styled piece of “fine art”: a still life painting, or presidential portrait for example. In some way, then, the real world begins to impose itself on the work. Some frames and stretchers begin growing branches and sprouting leaves. Other paintings are riddled with bullets or burnt by fire. The story inside the painting violently mingles with a story outside of it. The painted world and the lived world meet to tempestuous result. via Hi-Fructose
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